MoMI’s annual summer tradition returns with a thrilling selection of films screening in 70mm prints. With a larger frame size that captures more detail and light, 70mm offers the biggest, brightest image—the ideal film format for ambitious cinematic spectacle.

Join us in celebrating the life and career of Terence Davies with this complete retrospective, the first in the U.S. since his death. From the unfathomably moving, aesthetically revelatory autobiographical masterworks Distant Voices, Still Lives and The Long Day Closes, to his brilliant adaptations of classic novels (The House of Mirth, Sunset Song) to his galvanizing portrayals of poets Emily Dickinson and Siegfried Sassoon, Davies created movies as a true artist should, using the form for self-expression and as a means of working through complicated emotions.

Museum of the Moving Image is pleased to partner with Film at Lincoln Center to screen highlights from the 2024 edition of NYFF in Queens. The selections include four of the most anticipated films of the year: RaMell Ross's Nickel Boys, Mati Diop's Dahomey, Mike Leigh’s Hard Truths, and David Cronenberg’s The Shrouds. 

This series, beginning with the Bela Lugosi horror classic White Zombie, will chart the zombie’s propensity to mirror not just the horror of imperialism but also a multitude of its anxieties, from miscegenation to war.

Cruise’s entire captivating career speaks to his legacy as a singular movie star, and all the contradictions—of mystery and emotional transparency, of relatability and untouchability, of strength and vulnerability—that entails. See a selection of some of his greatest films in this wide-ranging retrospective, from RIsky Business to Jack Reacher, with much in between.

With 63 output channels, featuring Dolby speakers and amplification, the Redstone is now an even more spectacular place to watch and hear movies, giving films an unprecedented level of aural detail, allowing the viewer to hear more elements in each film’s audio mix than ever before. To celebrate, we present a series of movies mixed or re-released in Dolby Atmos. Prepare to be overwhelmed.

Recent first-run art-house titles playing at MoMI.

This series, co-programmed with Ari Aster, features movies that both directly inspired or in some ways echo the escalating madness of Aster's new film Eddington, depicting communities ready to spill over into bloodlust or vengeance and enclosed worlds so given to conspiracy and obsession that there’s no longer any sense of coherent reality.

Join us in celebrating the life and career of Terence Davies with this complete retrospective, the first in the U.S. since his death. From the unfathomably moving, aesthetically revelatory autobiographical masterworks Distant Voices, Still Lives and The Long Day Closes, to his brilliant adaptations of classic novels (The House of Mirth, Sunset Song) to his galvanizing portrayals of poets Emily Dickinson and Siegfried Sassoon, Davies created movies as a true artist should, using the form for self-expression and as a means of working through complicated emotions.