You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
One of this year’s most accomplished and wildly popular films, Ryan Coogler’s beautifully crafted, multilayered genre mashup traces a gripping, unpredictable story about Black folklore, cultural inheritance, the legacy of popular music, and, yes, vampires.
The peak of Altman’s prolific career was this panoramic view of American life circa 1975, set in the nation’s country-music capital, featuring terrific original songs and an unforgettable ending. With Ari Aster in person on 8/17.
Before they became the heroic, inseparable duo of the Mission: Impossible franchise, producer-star Tom Cruise and writer-director Christopher McQuarrie collaborated on this invigorating action thriller in which Cruise headlines as a taciturn, ex-U.S. Army major and Military Police Corps investigator.
Stanley Kubrick’s mysterious and profound sci-fi epic—“the ultimate trip”—is about nothing less than the beauty and the banality of civilization. Screens 7/31-8/24.
Director-writer Ethan Coen and writer-producer-editor Tricia Cooke’s latest collaboration, Honey Don't! is a dark comedy about a small-town private investigator named Honey O’Donahue (Margaret Qualley), who delves into a series of strange deaths tied to a mysterious church. Followed by a Q&A with Ethan Coen and Tricia Cooke.
With the playfully unlikely casting of anti-heartthrob Gould as private eye Philip Marlowe, The Long Goodbye is both a satire of and an homage to the world of Raymond Chandler, a neo-noir classic that transplants the novelist’s languid vision of Los Angeles to the 1970s. Introduced by Ethan Coen and Tricia Cooke.
Hitchcock's breathless, almost improbably entertaining suspense thriller is his ultimate “wrong man” movie, with Cary Grant as Roger Thornhill, an unassuming advertising executive on the run from a dastardly group of spies who have mistaken him for a government agent.
The yellow brick road has lost none of its allegorical power—or visual splendor—nearly ninety years later. The Wizard of Oz is particularly overwhelming as a big-screen experience, its fantasy world thrilling in its magical details, its teenaged leading lady overwhelming in her emotional magnetism.
Hitchcock's breathless, almost improbably entertaining suspense thriller is his ultimate “wrong man” movie, with Cary Grant as Roger Thornhill, an unassuming advertising executive on the run from a dastardly group of spies who have mistaken him for a government agent.
At the height of his cinematic powers, Oliver Stone got this miraculously personal studio film green-lit—a feat that now feels all but unthinkable. This free-wheeling, brilliantly constructed head-trip feels awfully prescient in its “there is no bottom” perspective on American history and conspiracy.
Hitchcock's breathless, almost improbably entertaining suspense thriller is his ultimate “wrong man” movie, with Cary Grant as Roger Thornhill, an unassuming advertising executive on the run from a dastardly group of spies who have mistaken him for a government agent.
Stanley Kubrick’s mysterious and profound sci-fi epic—“the ultimate trip”—is about nothing less than the beauty and the banality of civilization. Screens 7/31-8/24.
Peckinpah’s masterpiece is at once classical and revisionist, an exemplar of the very genre it so brilliantly subverts, building towards a famously violent climax that seemed to all but put a fork in the genre.