You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
With the playfully unlikely casting of anti-heartthrob Gould as private eye Philip Marlowe, The Long Goodbye is both a satire of and an homage to the world of Raymond Chandler, a neo-noir classic that transplants the novelist’s languid vision of Los Angeles to the 1970s. Introduced by Ethan Coen and Tricia Cooke.
Hitchcock's breathless, almost improbably entertaining suspense thriller is his ultimate “wrong man” movie, with Cary Grant as Roger Thornhill, an unassuming advertising executive on the run from a dastardly group of spies who have mistaken him for a government agent.
The yellow brick road has lost none of its allegorical power—or visual splendor—nearly ninety years later. The Wizard of Oz is particularly overwhelming as a big-screen experience, its fantasy world thrilling in its magical details, its teenaged leading lady overwhelming in her emotional magnetism.
Hitchcock's breathless, almost improbably entertaining suspense thriller is his ultimate “wrong man” movie, with Cary Grant as Roger Thornhill, an unassuming advertising executive on the run from a dastardly group of spies who have mistaken him for a government agent.
At the height of his cinematic powers, Oliver Stone got this miraculously personal studio film green-lit—a feat that now feels all but unthinkable. This free-wheeling, brilliantly constructed head-trip feels awfully prescient in its “there is no bottom” perspective on American history and conspiracy.
Hitchcock's breathless, almost improbably entertaining suspense thriller is his ultimate “wrong man” movie, with Cary Grant as Roger Thornhill, an unassuming advertising executive on the run from a dastardly group of spies who have mistaken him for a government agent.
Stanley Kubrick’s mysterious and profound sci-fi epic—“the ultimate trip”—is about nothing less than the beauty and the banality of civilization. Screens 7/31-8/24.
Peckinpah’s masterpiece is at once classical and revisionist, an exemplar of the very genre it so brilliantly subverts, building towards a famously violent climax that seemed to all but put a fork in the genre.
See a newly restored 2009 anime feature from Mamoru Hosoda, the Academy Award–nominated director of Belle and The Girl Who Leapt Through Time
Critically dismissed at the time of its release, Spielberg’s grand folly is a lavish spectacle that has attracted a major cult following. A slapstick behemoth on a massive, budget-busting scale, 1941 charts the fictional pandemonium that ensues among a group of frenzied Los Angelenos after the attack on Pearl Harbor.
The ninth film from Quentin Tarantino revisits Los Angeles at the tail end of the 1960s, when the Hollywood studio system was fading and hippie subversion was ascendant.
At the height of his cinematic powers, Oliver Stone got this miraculously personal studio film green-lit—a feat that now feels all but unthinkable. This free-wheeling, brilliantly constructed head-trip feels awfully prescient in its “there is no bottom” perspective on American history and conspiracy.
See a newly restored 2009 anime feature from Mamoru Hosoda, the Academy Award–nominated director of Belle and The Girl Who Leapt Through Time
Peckinpah’s masterpiece is at once classical and revisionist, an exemplar of the very genre it so brilliantly subverts, building towards a famously violent climax that seemed to all but put a fork in the genre.
See a newly restored 2009 anime feature from Mamoru Hosoda, the Academy Award–nominated director of Belle and The Girl Who Leapt Through Time