You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
With its humane, clear-eyed portrayal of alcohol addiction, dynamic soundtrack, and emotional star performances by Lady Gaga and Bradley Cooper, this spectacular successor to the durable story screens with Dolby Atmos surround sound on 8/9.
Tony Scott brings his virtuosic talent for hyper-real sound and image to the NASCAR stadium in this summer 1990 flashback from Simpson-Bruckheimer, which reapplies the Top Gun template to the world of auto racing with verve and style, casting Tom Cruise as a hotshot young racer.
After last summer's smash success, we're pleased to bring back the world's #1 cat video festival. Each year, across the country, local theaters partner with nearby cat-focused charities, animal welfare associations and shelters alike—a portion of ticket proceeds from every show goes directly to local cats in need.
Hollywood self-parodies are a dime a dozen, but Ben Stiller’s pleasingly tasteless takedown of the industry—from egomaniacal actors to grotesque producers to the clichéd big-budget products themselves—is a riotous pleasure throughout.
Stanley Kubrick’s mysterious and profound sci-fi epic—“the ultimate trip”—is about nothing less than the beauty and the banality of civilization. Screens 7/31-8/24.
Join us for a special guided tour of The Jim Henson Exhibition! The tour costs $5.00 per visitor (on top of admission ticket).
Lars von Trier’s brilliant, polarizing drama starring Nicole Kidman subverts cinematic conventions about small-town American values. Screens 8/15 as part of Eddington City Limits.
The Safdies' electrifying crime thriller about Howard Ratner (Adam Sandler), a charismatic Diamond District jeweler always on the lookout for the next big score, features a brilliantly anxiety-provoking, multi-layered sound design.
One of this year’s most accomplished and wildly popular films, Ryan Coogler’s beautifully crafted, multilayered genre mashup traces a gripping, unpredictable story about Black folklore, cultural inheritance, the legacy of popular music, and, yes, vampires.
The peak of Altman’s prolific career was this panoramic view of American life circa 1975, set in the nation’s country-music capital, featuring terrific original songs and an unforgettable ending. With Ari Aster in person on 8/17.
Before they became the heroic, inseparable duo of the Mission: Impossible franchise, producer-star Tom Cruise and writer-director Christopher McQuarrie collaborated on this invigorating action thriller in which Cruise headlines as a taciturn, ex-U.S. Army major and Military Police Corps investigator.
Stanley Kubrick’s mysterious and profound sci-fi epic—“the ultimate trip”—is about nothing less than the beauty and the banality of civilization. Screens 7/31-8/24.
Director-writer Ethan Coen and writer-producer-editor Tricia Cooke’s latest collaboration, Honey Don't! is a dark comedy about a small-town private investigator named Honey O’Donahue (Margaret Qualley), who delves into a series of strange deaths tied to a mysterious church. Followed by a Q&A with Ethan Coen and Tricia Cooke.
With the playfully unlikely casting of anti-heartthrob Gould as private eye Philip Marlowe, The Long Goodbye is both a satire of and an homage to the world of Raymond Chandler, a neo-noir classic that transplants the novelist’s languid vision of Los Angeles to the 1970s. Introduced by Ethan Coen and Tricia Cooke.
Hitchcock's breathless, almost improbably entertaining suspense thriller is his ultimate “wrong man” movie, with Cary Grant as Roger Thornhill, an unassuming advertising executive on the run from a dastardly group of spies who have mistaken him for a government agent.
The yellow brick road has lost none of its allegorical power—or visual splendor—nearly ninety years later. The Wizard of Oz is particularly overwhelming as a big-screen experience, its fantasy world thrilling in its magical details, its teenaged leading lady overwhelming in her emotional magnetism.
Hitchcock's breathless, almost improbably entertaining suspense thriller is his ultimate “wrong man” movie, with Cary Grant as Roger Thornhill, an unassuming advertising executive on the run from a dastardly group of spies who have mistaken him for a government agent.
At the height of his cinematic powers, Oliver Stone got this miraculously personal studio film green-lit—a feat that now feels all but unthinkable. This free-wheeling, brilliantly constructed head-trip feels awfully prescient in its “there is no bottom” perspective on American history and conspiracy.
Hitchcock's breathless, almost improbably entertaining suspense thriller is his ultimate “wrong man” movie, with Cary Grant as Roger Thornhill, an unassuming advertising executive on the run from a dastardly group of spies who have mistaken him for a government agent.
Stanley Kubrick’s mysterious and profound sci-fi epic—“the ultimate trip”—is about nothing less than the beauty and the banality of civilization. Screens 7/31-8/24.
Peckinpah’s masterpiece is at once classical and revisionist, an exemplar of the very genre it so brilliantly subverts, building towards a famously violent climax that seemed to all but put a fork in the genre.
See a newly restored 2009 anime feature from Mamoru Hosoda, the Academy Award–nominated director of Belle and The Girl Who Leapt Through Time
Critically dismissed at the time of its release, Spielberg’s grand folly is a lavish spectacle that has attracted a major cult following. A slapstick behemoth on a massive, budget-busting scale, 1941 charts the fictional pandemonium that ensues among a group of frenzied Los Angelenos after the attack on Pearl Harbor.
The ninth film from Quentin Tarantino revisits Los Angeles at the tail end of the 1960s, when the Hollywood studio system was fading and hippie subversion was ascendant.
At the height of his cinematic powers, Oliver Stone got this miraculously personal studio film green-lit—a feat that now feels all but unthinkable. This free-wheeling, brilliantly constructed head-trip feels awfully prescient in its “there is no bottom” perspective on American history and conspiracy.
See a newly restored 2009 anime feature from Mamoru Hosoda, the Academy Award–nominated director of Belle and The Girl Who Leapt Through Time
Peckinpah’s masterpiece is at once classical and revisionist, an exemplar of the very genre it so brilliantly subverts, building towards a famously violent climax that seemed to all but put a fork in the genre.
See a newly restored 2009 anime feature from Mamoru Hosoda, the Academy Award–nominated director of Belle and The Girl Who Leapt Through Time