From acclaimed action filmmaker, stunt performer, and stunt coordinator David Leitch and Kelly McCormick’s 87North Productions—whose kinetic action films include See It Big: Stunts selections Atomic Blonde and The Fall Guy—Ilya Naishuller’s viscerally violent Nobody features Bob Odenkirk as family man Hutch Mansell. Amidst a barrage of fists, gunfire, and squealing tires, Hutch must save his wife and son from a dangerous adversary—and ensure that he will never be underestimated again.  

With its humane, clear-eyed portrayal of alcohol addiction, dynamic soundtrack, and emotional star performances by Lady Gaga and Bradley Cooper, this spectacular successor to the durable story screens with Dolby Atmos surround sound on 8/9.

Hollywood self-parodies are a dime a dozen, but Ben Stiller’s pleasingly tasteless takedown of the industry—from egomaniacal actors to grotesque producers to the clichéd big-budget products themselves—is a riotous pleasure throughout.

Lars von Trier’s brilliant, polarizing drama starring Nicole Kidman subverts cinematic conventions about small-town American values. Screens 8/15 as part of Eddington City Limits.

The Safdies' electrifying crime thriller about Howard Ratner (Adam Sandler), a charismatic Diamond District jeweler always on the lookout for the next big score, features a brilliantly anxiety-provoking, multi-layered sound design. 

The peak of Altman’s prolific career was this panoramic view of American life circa 1975, set in the nation’s country-music capital, featuring terrific original songs and an unforgettable ending. With Ari Aster in person on 8/17.

Before they became the heroic, inseparable duo of the Mission: Impossible franchise, producer-star Tom Cruise and writer-director Christopher McQuarrie collaborated on this invigorating action thriller in which Cruise headlines as a taciturn, ex-U.S. Army major and Military Police Corps investigator.

At the height of his cinematic powers, Oliver Stone got this miraculously personal studio film green-lit—a feat that now feels all but unthinkable. This free-wheeling, brilliantly constructed head-trip feels awfully prescient in its “there is no bottom” perspective on American history and conspiracy.

Critically dismissed at the time of its release, Spielberg’s grand folly is a lavish spectacle that has attracted a major cult following. A slapstick behemoth on a massive, budget-busting scale, 1941 charts the fictional pandemonium that ensues among a group of frenzied Los Angelenos after the attack on Pearl Harbor.

The ninth film from Quentin Tarantino revisits Los Angeles at the tail end of the 1960s, when the Hollywood studio system was fading and hippie subversion was ascendant.

At the height of his cinematic powers, Oliver Stone got this miraculously personal studio film green-lit—a feat that now feels all but unthinkable. This free-wheeling, brilliantly constructed head-trip feels awfully prescient in its “there is no bottom” perspective on American history and conspiracy.