
Stop Making Sense: 40th Anniversary Re-Release
Jonathan Demme's Stop Making Sense is considered by many critics the greatest concert film of all time.
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
Jonathan Demme's Stop Making Sense is considered by many critics the greatest concert film of all time.
Fassbinder's vision of the future in 1970s aesthetics follows a cybernetics engineer Fred Stiller who is employed by Simulacron, a program that creates simulations of people who don’t know they are not flesh-and-blood in order to predict social, economic, and political events.
Terence Davies’s magnificent adaptation of Edith Wharton’s 1905 novel is a sumptuous triumph all around, yet its beating, battered heart belongs to Gillian Anderson, who miraculously evokes tragic heroine Lily Bart. Encore screening 3/22 on 35mm.
George Lucas made his astonishing feature debut with this dystopian science-fiction film, screening 3/2.
Join us for a community event from 1:00–5:00 p.m. on March 3, organized by Shireen Soliman and MoMI’s Neighborhood Council. Immerse yourself in the joyful spirit of Ramadan as we celebrate with a day of fun programming for all ages.
This Oscar-nominated film is based on Deborah Ellis’s novel about a young girl, Parvana, growing up under Taliban's Islamic Emirate of Afghanistan as the War on Terror begins. Followed by a panel discussion about representation of Muslims and Ramadan in film and media.
Scorsese’s sumptuous cinematic rendering of Edith Wharton’s novel about the social mores of turn-of-the-century New York, starring Michelle Pfeiffer and Daniel Day-Lewis, screens March 1 and 3.
Jonathan Demme's Stop Making Sense is considered by many critics the greatest concert film of all time.
Terence Davies’s magnificent adaptation of Edith Wharton’s 1905 novel is a sumptuous triumph all around, yet its beating, battered heart belongs to Gillian Anderson, who miraculously evokes tragic heroine Lily Bart. Encore screening 3/22 on 35mm.