You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
Making a stunning return to feature filmmaking after a 25-year hiatus, Roy Andersson introduced what would become his signature style with this bleak and beautiful deadpan gem. Screening 12/15 and 12/30 as part of our Andersson retrospective.
Buster Keaton's lovingly detailed parody of the legendary feud between the Hatfields of West Virginia and McCoys of Kentucky is filled with perfectly timed sight gags that culminate in one of Keaton’s literally death-defying set pieces. Screening 12/9 and 12/16.
Three of Hollywood’s greatest stars—Katharine Hepburn, Cary Grant, and James Stewart—teamed up in this enduring, Oscar-winning classic that revolves around a high society divorcée whose second wedding is disrupted by her first husband and a cynical tabloid reporter. Screening 12/15 and 12/16.
This documentary by Johan Carlsson provides a candid view of Roy Andersson’s process, showing us exactly how Andersson constructs his unforgettable images.
Adopting the style of paranoid 1970s American thrillers, Todd Haynes and cinematographer Ed Lachman bring a bold, melancholy pallor to the true story of a corporate defense attorney, Rob Billot (Mark Ruffalo), who fought to expose the corruption of chemical manufacturing corporation DuPont.
It took nearly seven years to build the wildly elaborate sets, and to finance the second in Roy Andersson’s “human trilogy." Showing with Andersson's haunting 14-minute short. The 12/30 screening will be introduced by critic Imogen Sara Smith.
Join us for an evening of game-like, participatory, and interactive media projects that explore the boundaries of narrative and storytelling.
With a gentle humanism and low-key lyricism reminiscent of the films of the Czech New Wave, Andersson’s beautifully observed debut stars the wonderfully naturalistic Ann-Sofie Kylin and Rolf Sohlman.
Haynes’s spectacular and ambitious musical, screening 12/9 and 12/17, charts the rise of glam rock and the star who was the movement’s brightest flame, functioning as both history and dream.
This remarkable cinema vérité documentary captures an important moment in the social turmoil and protests that swept Europe in the spring of 1968. The 12/17 screening will be introduced by Ambassador Andreas von Uexküll, Deputy Permanent Representative of Sweden to the United Nations.
A dour pair of traveling salesmen who sell plastic fangs and other novelty items are the main recurring characters in the mesmerizing finale to Roy Andersson’s “Being Human” trilogy, screening 12/17 and 12/31.
Todd Haynes’s kaleidoscopic portrait of the seminal sixties rock group The Velvet Underground explodes the music documentary form. Screens 12/9 and 12/17.