You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
This ’80s horror cult favorite directed by Freddy Krueger himself, Robert Englund, is a zany, gory snapshot of suburban fears over new technologies and outcast teenagers left alone to their own devices amidst the decade’s infamous “Satanic Panic.”
The best and scariest of the new "desktop horror" subgenre of films is Unfriended: Dark Web, in which a young man makes the very bad mistake of bringing home a discarded laptop from a coffee house
A collaboration by producer Dario Argento and director Lamberto Bava, the horror cult classic Demons, screening 10/28, is a marvel of bloody special effects about a movie screening gone terrifyingly wrong.
Jane Schoenbrun appears in person Sunday, October 22, at 2:30 p.m. with her feature debut, which uses the textures and trappings of the horror genre to descend into a striking depiction of a particularly 21st-century loneliness.
Perhaps the most faithful transposition of the Batman character from comic book to film, this animated film from 1993 screens on 35mm 10/28, 10/29, and 11/3.
In his first starring role, James Stewart plays a New York reporter separated from his wife (Margaret Sullavan) when he’s posted to Rome and she refuses to give up her acting career. Marsha Gordon will sign copies of her book Becoming the Ex-Wife: The Unconventional Life & Forgotten Writings of Ursula Parrott, after the October 28 screening.
Rarely seen stateside since its 1983 release, Devil Fetus is a zany, sleazy, and ambitious Hong Kong horror movie featuring stop-motion monsters, show-stopping makeup effects, and a scene-stealing, demon-battling, martial artist holy man.
Set 15 years later, the film follows Lieutenant William F. Kinderman (Scott) and his investigation of a string of bizarre murders around Georgetown that seem to link back to a long-dead serial killer.
The latest from Canadian multi-hyphenate artist Lina Rodriguez is a sharply calibrated story of dislocation and exile, centered on an émigré whose hard-fought sense of belonging and empowerment is made tenuous thanks to forces from both the political past and cultural present. Director and producer in person 10/29!
Celebrate Day of the Dead at Museum of the Moving Image with a performance by a presentation of Aztec Mexica dance, poetry, music from indigenous dance troupe Yayauhki Tezcatlipoka, and a face-painting session inspired by historical characters from Día de Muertos.
This year as part of MoMI’s Day of the Dead celebration on November 2, we present Oscar-winning Mexican filmmaker Guillermo del Toro's emotional and beautifully crafted horror film.
When his young daughter’s technosapien companion, the android Yang, malfunctions, Jake (Colin Farrell) must come to terms with what this loss means for his family. This special screening on 11/2 will be followed by a conversation with producer Theresa Park and a technology expert about “intelligence” in AI.