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Behind the Screen - Tut's

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A boy wearing a sweatshirt and backpack stands in a city street and stares off

I Woke Up with a Dream

A favorite at the Berlin Film Festival, the third feature by Argentine writer-director Pablo Solarz is an endearing personal coming-of-age tale of self-realization. 

A woman holding a baby in one hand sits before an open fire cooking chicken in a rural African village

Two by Safi Faye

A filmmaker of singular vision and ingenuity, Safi Faye fearlessly experimented with genre and form in order to honor the people from her home country of Senegal, particularly the working class and women from rural regions. See two of her films on 10/22.

A woman leans against a computer table in a dark room looking back at camera
Pulse 

Pulse 

Kurosawa’s master class in alienated dread spawned a U.S. remake, but the original remains the best of the internet-horror subgenre and one of the most terrifying movies ever made.

a black and white image of a man looking at the camera wearing a scarf, sitting outside a library wall

An Evening with Frederick Wiseman

On 10/26, spend a very special evening with the great filmmaker Frederick Wiseman, including a screening of his 2022 film A Couple, a rare fiction feature that looks at the long marriage between Leo and Sophie Tolstoy through a series of monologues, followed by a conversation between Wiseman and series curator David Schwartz.

A holographic image of a head bust in blue against a black background

Dissolution

David Levine’s Dissolution is a jewel-box sculpture that conjures the past and future of the moving image. A 20-minute film played on a loop, it draws on the central conceit of iconic 1980s movies and TV shows such as Tron and Max Headroom: human characters who find themselves dematerialized and confined within the interior worlds of electronic devices.

A smiling woman in a black wig leans on a table with a little boy next to her
The Witches

The Witches

A singular collaboration between vanguard filmmaker Nicolas Roeg and visionary artist Jim Henson, The Witches adapts one of Roald Dahl’s most frightful books for children with phantasmagoric gusto.

A woman leans against a computer table in a dark room looking back at camera
Pulse 

Pulse 

Kurosawa’s master class in alienated dread spawned a U.S. remake, but the original remains the best of the internet-horror subgenre and one of the most terrifying movies ever made.

A woman in nurse's uniform falls to floor holding her hands up and screaming
The Exorcist III

The Exorcist III

Set 15 years later, the film follows Lieutenant William F. Kinderman (Scott) and his investigation of a string of bizarre murders around Georgetown that seem to link back to a long-dead serial killer.

A man in a stetson hat and a woman with a feather in her hat embrace on a couch in a black and white image
Next Time We Love

Next Time We Love

In his first starring role, James Stewart plays a New York reporter separated from his wife (Margaret Sullavan) when he’s posted to Rome and she refuses to give up her acting career. Marsha Gordon will sign copies of her book Becoming the Ex-Wife: The Unconventional Life & Forgotten Writings of Ursula Parrott, after the October 28 screening.

A woman with long hair sits at a table and raises one hand in the air and the other hovers above the table spread out, her fingers making strange signals

1974: The Possession of Altair

First-time filmmaker Victor Dryere utilizes analog technology and the gimmick of found-footage horror to create warm, foggy imagery that expertly shocks and scares.  

A young woman in a yellow hooded jacket looks at camera ominously in front of bare tree branches
The Village 

The Village 

M. Night Shyamalan's most conceptually complex, intricately patterned film, a Bush-era political allegory that evokes the literature of Hawthorne and Irving in its deeply American fears of the unknown, screens on 35mm 10/21 and 10/28.