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Behind the Screen - Tut's

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A man walks a dog on a New York street
25th Hour

25th Hour

Spike Lee's thrillingly made psychological diagnosis of both a man and a city was the first major movie to acknowledge the September 11th attacks. Screening September 9 and 10.

closeup on the face of a young white woman with a shaved head. Her hands frame her face.
Nothing Compares

Nothing Compares

As a tribute to Sinéad O'Connor, see this richly cinematic portrait of this fearless trailblazer through a contemporary feminist lens on 9/3 and 9/10.

A woman sits on a couch, listening intently to an older man and a young woman behind her, her face turned to camera and away from them
Hard, Fast and Beautiful

Hard, Fast and Beautiful

Trailblazer Ida Lupino’s fourth film as a director stars Trevor as Millie Farley, a manipulative, parasitic mother to Forrest’s Florence, a burgeoning tennis star. Features stirring tennis action largely filmed on location at Forest Hills Stadium, former home of the U.S. Open.

A man and a woman standing together look off screen and smile
Any Given Sunday

Any Given Sunday

Oliver Stone brings his one-of-a-kind talent for capturing beauty amid chaos to this portrait of the suffering, pride, and grit of professional football and the equally cutthroat nature of its business.

A woman in a green vest and a man wth a twirly mustache look into the camera.

A Haunting in Venice

Set in eerie, post-World War II Venice on All Hallows’ Eve, A Haunting in Venice is a terrifying mystery featuring the return of the celebrated sleuth Hercule Poirot. Special advance screening 9/13.

still from an animated film that shows a pink elephant-like creature next to two other cartoonish girl characters
Inside Out

Inside Out

Pixar's Oscar-winning animated feature vividly imagines five emotions as its main characters, vying for equilibrium inside the mind of an 11-year-old girl.

A black and white shot of a woman standing under a tree outdoors and facing a chair
Fremont

Fremont

Jalali’s Sundance standout, about a newly immigrated twentysomething from Afghanistan in the San Francisco Bay Area, has an exquisitely modulated tone all its own: somewhere between deadpan comedy and offhand sorrow. Screening 9/15–9/24.

A collage animated image featuring a man silhouetted holding a briefcase under telephone line wires

Janie Geiser Program 2: Time, a substance

This program, titled after a phrase from Marianne Moore’s poem “Black Earth,” includes several films that were made during the intense first years of the pandemic. The films evoke a sense of suspended time and the liminal space between life and death. With Janie Geiser in person!

A black and white shot of a woman standing under a tree outdoors and facing a chair
Fremont

Fremont

Jalali’s Sundance standout, about a newly immigrated twentysomething from Afghanistan in the San Francisco Bay Area, has an exquisitely modulated tone all its own: somewhere between deadpan comedy and offhand sorrow. Screening 9/15–9/24.