
CALENDAR

GENERAL ADMISSION
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.


Chemo
Lozinski captures patients in an oncology clinic where they receive chemotherapy. The context and location engender profound reflections and wide-ranging conversation, each frame teeming with life, light, and humor.

Father and Son
On 12/4, Paweł Łoziński introduces the touching film he made with his father, Marcel, documenting a road trip from Warsaw to Paris.

You Have No Idea How Much I Love You
Lozinski’s unwaveringly intimate work documents a triangular psychotherapeutic encounter between a daughter, a mother, and a therapist.

.dog
A teenager on the verge of manhood idolizes his imprisoned father even though he barely remembers him. When the father is released after serving ten years, the boy anticipates finally getting to know him and making up for lost time.

Sirens
On the outskirts of Beirut, Lilas and her bandmates Shery, Maya, Alma, and Tatyana have big dreams but few opportunities. Shot and directed by L.A.-based filmmaker Rita Baghdadi, Sirens received its world premiere at the Sundance Film Festival

Heaven’s Gate (Director’s Cut)
This revisionist western, restored to its full length, is a marvel of ambition and complex storytelling, dramatizing the Johnson County War of 1892, when European settlers were targeted for death and displacement by cattle barons. December 9–10.

Expedition Content + Dead Birds
Constructed from audio recorded during the making of Robert Gardner’s landmark ethnographic documentary Dead Birds, this work by renowned sound artists is simultaneously an immersive sonic document and a deft critique of the ethnographic endeavor.

The Shakedown
This Universal boxing picture by William Wyler, based on a story discovered by Wyler’s brother Robert, finds the then-young director honing his considerable skills.

My Imaginary Country
ne of the greatest documentary filmmakers the medium has ever known, the 80-year-old Guzmán has been creating works about the political past and hopeful future of his home country Chile for more than fifty years.

Heaven’s Gate (Director’s Cut)
This revisionist western, restored to its full length, is a marvel of ambition and complex storytelling, dramatizing the Johnson County War of 1892, when European settlers were targeted for death and displacement by cattle barons. December 9–10.

We Met in Virtual Reality
This expansive and sensitive documentary was filmed entirely inside the world of virtual reality. See it December 10, featuring a virtual Q&A with director Joe Hunting.