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Behind the Screen - Tut's

GENERAL ADMISSION

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Brazil

Brazil

Terry Gilliam’s jaw-dropping dystopian science-fiction black comedy imagines a totalitarian surveillance society that would make Orwell envious. November 27 & December 4.

A reflection in a doorway of a man in a wheelchair, set against a red and yellow circus tent

I Didn’t See You There

Filmmaker Reid Davenport appears in person November 27 to present his groundbreaking, Sundance-awarded work of nonfiction, which offers a uniquely transporting cinematic experience. 

What We Leave Behind

Iliana Sosa’s film is a marvel of presence, filled with gorgeously attentive images and casually revelatory moments born of patience and loving complicity. With director in person.

2022 Moving Image Awards

On December 1, join us for the Museum's annual winter fundraising event, honoring directors Sarah Polley and Laura Poitras, novelist and screenwriter Kazuo Ishiguro, and composer Michael Abels.

An adult figure pulls a child in a small sled on a wintry street as seen from a high balcony.

The Balcony Movie

Filmed before the pandemic, Pawel Lozinski’s revelatory documentary was shot entirely from his balcony in Warsaw. Director in person—December 2!

Two men, one in foreground, one blurred in back, stand in a desolate winter landscape.

Birthplace + Sisters

Lozinski’s first major work, following Henryk Greenberg, a Polish-born American who lost much of his family in the Holocaust, plus a celebrated, delicate short study of familial love.

Ishtar (Director’s Cut)

Ishtar (Director’s Cut)

Wildly underrated at the time of its release, Elaine May’s deceptively screwball comedy is a cross between a Hope and Crosby road movie and a trenchant satire about the Middle East that feels as relevant as it ever was. November 27 & December 4.

A man sitting in a park looks through a video camera viewfinder while a dog walks by.

The Way It Is + The Ukrainian Cleaning Lady

In and around his own apartment in Warsaw, Łoziński explores a year in the lives of his neighbors; plus an intimate portrait of the filmmaker’s own cleaning lady, a single mother who left her native Ukraine seeking a better life.

A man speaks into a microphone in front of a handmade sign

How It’s Done

A political media advisor puts out a call for neophyte applicants for political candidacy, and hundreds apply in this dynamic, entertaining, and implicitly damning snapshot of opportunistic populism in action.