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Behind the Screen - Tut's

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You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.

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the V01D

Joshua Davis's the V01D is a programmatic artwork capable of generating tens of thousands of visual outputs.

A long-blonde-haired woman in a gray sweater looks up at a man with short dark hair in a gray suit in a modern-looking room with blue neon lights
The Beast

The Beast

Bertrand Bonello has created a dynamic and disturbing parable that jumps between three different time periods (1910, 2014, and 2044) to diagnose our acute—and perhaps eternal—feelings of estrangement and alienation. Screening 5/10–5/18.

A movie theater with a full audience looking at a screen with the number 7 on it counting down to showtime

2024 Teen Film Festival

Join us on 5/17 for the annual Teen Film Festival, hosted by the MoMI Teen Council. The festival will screen twelve selected short works by teen filmmakers from New York City's five boroughs.  Learn more.

Five people stand in a dark room in an old house with cobwebs in a black and white image
House on Haunted Hill

House on Haunted Hill

This fan favorite chiller from gimmick master William Castle, screening 5/17 and 5/19, stars horror icon Vincent Price in one of his most gleefully sinister performances. 

A test pilot in orange and aviator sunglasses standing in front of an airplane
The Right Stuff

The Right Stuff

Kaufman’s mammoth adaptation of Tom Wolfe’s bestseller about the selection and lift-off of NASA’s first astronauts, known as the Mercury Seven, is a singular Hollywood epic. Screens 5/18 and 5/25.

A long-blonde-haired woman in a gray sweater looks up at a man with short dark hair in a gray suit in a modern-looking room with blue neon lights
The Beast

The Beast

Bertrand Bonello has created a dynamic and disturbing parable that jumps between three different time periods (1910, 2014, and 2044) to diagnose our acute—and perhaps eternal—feelings of estrangement and alienation. Screening 5/10–5/18.

A square-shaped logo with the words OPEN WORLDS in bright pastel colors that start with pink at the top and gradient into blue by the bottom. In the lower-left corner is the much smaller, square-shaped logo reading the words Museum of the Moving Image. It is hovering over an image of an all-white Museum of the Moving Image lobby.

Open Worlds Opening Day

Join MoMI for the opening day festivities of Open Worlds. Following a ceremonial ribbon-cutting at 4:00 p.m, DJ Stretch Armstrong will kick off the party alongside an installation by artist Joshua Davis.

Five people stand in a dark room in an old house with cobwebs in a black and white image
House on Haunted Hill

House on Haunted Hill

This fan favorite chiller from gimmick master William Castle, screening 5/17 and 5/19, stars horror icon Vincent Price in one of his most gleefully sinister performances. 

A woman in long dark hair stands against a wall against which computer codes and abstract purple and blue images are projected

Live Code: Real-Time Visual Music Since the 1980s

Don’t miss this panel, part of Open Worlds opening weekend, featuring artists and subject experts who will share insights into the groundbreaking artwork, software, and events that have shaped live code practices. 

A black and white photo of a woman in traditional Japanese clothes, seen from the back, leaning over a table setting on the floor, which human figures out of focus in the background.

Notes of an Itinerant Performer

Largely due to its atypical period setting in the late Meiji era and its theme of female self-sacrifice, Shimizu’s film has drawn comparison to similar works by Kenji Mizoguchi.

An older man leans against a desk while he looks quizzically at a green spangled dress in the extreme foreground, seemingly worn by a woman.

Dodo

A dodo, a bird extinct for the last 300 years, shows up at the villa of a financially troubled family on the eve of the daughter's advantageous wedding to a wealthy heir. 

A black and white image of a group of Japanese children and two adults standing in front of a STOP sign at the side of the road looking at the camera forlornly

Children of the Beehive

The most celebrated of Shimizu’s postwar films, screening 5/19, is a momentous work depicting the shattered state of reconstruction-era Japan.