You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
Inspired by Tarkovsky, Kalatozov, and Urusevsky, as well as Ukrainian Hutsul folk culture, this treasured cornerstone of independent Ukrainian cinema marked a shift in the development of Ukrainian culture in the second half of the 20th century.
Described by Martin Scorsese as “unlike anything in cinema history,” Sergei Parajanov's masterpiece about 18th-century poet Sayat Nova screens 7/6 and 7/26.
Filmed in war-torn, blockaded Armenia and edited by candlelight, the film is a wordless montage vividly expressing Minas and Vartanov’s friendship while Parajanov was imprisoned by the Soviets.
Inspired by an ancient folk tale, this film is brought to life through Parajanov’s honed idiosyncratic style of opulent costuming, striking tableaux, and unforgettable mise-en-scène.
Dedicated to Andrei Tarkovsky, Parajanov’s hypnotic and wondrous Ashik Kerib is his last completed film.
Kathryn Bigelow’s grandest cinematic vision is an anxiety-filled drama of near-apocalypse set in Los Angeles at the turn of the 21st century.
The first film from the Hughes Brothers was a sensation at the 1993 Cannes Film Festival and remains an uncompromising and revelatory touchstone of 1990s American independent cinema.
This art installation and talk will explore the intersections of queer embodiment and speculative imagination. At 8:00–10:00 p.m., there will be a reception with refreshments and music by DJ Aguapanela Mami.
The definitive film of its era, earning Quentin Tarantino a screenplay Oscar and igniting a career that remains essential to the landscape of American auteur cinema, screens on 35mm 7/12 and 7/14.
Ludo, a trans child, explores their gender identity and faces harsh transphobic fallout in this beautiful film. Introduced by critic/author Caden Mark Gardner; followed by book-signing on 7/13.
Robert Altman's memory-haunted melodrama stars Karen Black in the groundbreakingly sensitive role of a trans woman who returns to the site of her traumatic youth. Introduced by author Caden Mark Gardner, co-author of Corpses, Fools, and Monsters: The History and Future of Transness in Cinema and preceded by a book-signing.
