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Behind the Screen - Tut's

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Jane Henson in Performance

Jane Henson (née Nebel) was one of her husband Jim Henson’s most significant longtime collaborators.This compilation highlights some of Jane’s performances with the Muppets.

Advanced Footage of Inside Out 2

Pixar Chief Creative Officer Pete Docter will appear in person to present exclusive footage from the upcoming sequel to Inside Out

The Big Lebowski

The Big Lebowski

The Coen brothers’ funniest film is a scene-to-scene blast, expertly folding an endless array of visual jokes and verbal gags into an absurdly convoluted plot that casts Jeff Bridges's unemployed, eternally stoned Los Angeles bowling bum Jeff “The Dude” Lebowski as a loser Philip Marlowe.

Trainspotting

Trainspotting

Boyle’s adaptation of Irvine Welsh’s novel about heroin addicts in Edinburgh managed not just to become a hit movie stateside but spawn an iconic cultural moment.

Provincial Actors

Agnieszka Holland first gained early recognition with this powerful, claustrophobic study of the tensions and conflicts amongst the members of a minor theatrical troupe in a small town near Warsaw.

Rumble in the Bronx

Rumble in the Bronx

Already a superstar in his native Hong Kong, Jackie Chan officially broke through to the American mainstream with this perfect showcase for the action icon’s breathtaking talent. Screening on 35mm 6/7 and 6/8.

Puppeteering at MoMI

Puppeteer Brian T. Carson leads a puppeteering workshop exploring the fundamentals of the art form, open to all ages and skill levels.

Fever

Agnieszka Holland's tense, gripping 1905-set drama depicts a group of underground Polish anarchists as they arm themselves and build bombs to resist the incoming Russian Tsarist oppression.

Henson Music in the Courtyard

Enjoy a performance of instrumental music from films that have captured the hearts of audiences for decades.

Mothra

With its impressive special effects and vibrant colors, Mothra represents a highpoint in Toho’s golden age of Kaiju eiga (monster movie).

A Lonely Woman

Agnieszka Holland’s last film made in her home country before she self-exiled to France is a thinly veiled critique of the communist totalitarian system that was banned in Poland.