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Behind the Screen - Tut's

GENERAL ADMISSION

You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.

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a black and white image of a young boy standing outside cupping an object in his hands, while another boy behind him clutches a wooden post

This Kid, There (Ce gamin, là)

A contemplative and intimate portrait of special educator Fernand Deligny and his “network,” a 1970s rural community in the south of France where adults live with and care for non-speaking autistic children. 

Dick Tracy

Dick Tracy

Warren Beatty’s big-budget, color-drenched adaptation of Chester Gould’s classic mid-century comic strip is a visual delight from start to finish, featuring lovingly detailed noir photography by Vittorio Storaro.

Two teenagers, one with short hair and medium brown skin and one with long hair and pale skin and red long hair, sit on a couch with a purple TV glow cast on them and a green light background.
I Saw the TV Glow

I Saw the TV Glow

Jane Schoenbrun’s follow-up to the visionary We’re All Going to the World’s Fair ups the ante on suburban angst, creating an eerily beautiful metaphorical evocation of the trans experience and the ways in which popular culture and media both comfort and betray us. Screening 6/21–6/30.

A group of five people with bags over their heads and buttons for eyes in a room with white walls. One of the people stands with their arms outstretched and the others are sitting on the floor

Shorts Program: Captive Feast

This selection of films highlights the role of art in counteracting experiences of isolation and alienation for those struggling with mental illness inside and outside of psychiatric institutions. 

A closeup of a man with a scarred face wrapped in bandages and wearing a black fedora
Darkman

Darkman

Universal enlisted Sam Raimi, known primarily for his delightfully impious Evil Dead films, for their own version of a comic book superhero movie. The result is among the wildest, most stylistically untamed popcorn movies of its era. Screening 6/22 and 6/23.

Dick Tracy

Dick Tracy

Warren Beatty’s big-budget, color-drenched adaptation of Chester Gould’s classic mid-century comic strip is a visual delight from start to finish, featuring lovingly detailed noir photography by Vittorio Storaro.

Two teenagers, one with short hair and medium brown skin and one with long hair and pale skin and red long hair, sit on a couch with a purple TV glow cast on them and a green light background.
I Saw the TV Glow

I Saw the TV Glow

Jane Schoenbrun’s follow-up to the visionary We’re All Going to the World’s Fair ups the ante on suburban angst, creating an eerily beautiful metaphorical evocation of the trans experience and the ways in which popular culture and media both comfort and betray us. Screening 6/21–6/30.

Four people—three men in cowboy hats and a young boy in a tricorne hat—stand in front of an opulent villa surrounded by green trees.

Down the Rabbit Hole (Fiesta en la Madriguera)

Acclaimed Mexican writer-filmmaker Manolo Caro's adaptation of the acclaimed debut novel by Mexican author Juan Pablo Villalobos follows a criminal who indulges his son's every whim. Followed by Q&A with director Manolo Caro and screenwriter Nicolás Giacobone.

Bathed in purple light, two dancers grasp each other's hands and pull on their arms, with their heads down, amidst a black-box space

Everything by Valerie Green/Dance Entropy  

Everything is a dance performance installation evoking the ever-expanding universe, transforming the performance space into a constellation of stars and human bodies in various states of formation and explosion.

A dark figure with glowing red eyes stalks a room at night, where a Virgin Mary statue sits in the corner holding a rose.

Anhell69

For his grimly gorgeous hybrid debut, a vampire movie about a dystopian city where ghosts coexist with the living, director Theo Montoya cast comrades from Medellín’s queer scene. Screening 6/23.

A vast mountainous landscape, with people in the foreground standing amidst green trees and bushes.

The Potential History of Francesc Tosquelles, Catalonia and Fear

Mireia Sallarès's multifaceted, experimental, and speculative portrait of Francesc Tosquelles, the politicized psychiatrist who worked with the precarious and unexpected, using film and the arts in his practice. With Sallarès and AFAM exhibition co-curator Joana Masó in person.

A closeup of a man with a scarred face wrapped in bandages and wearing a black fedora
Darkman

Darkman

Universal enlisted Sam Raimi, known primarily for his delightfully impious Evil Dead films, for their own version of a comic book superhero movie. The result is among the wildest, most stylistically untamed popcorn movies of its era. Screening 6/22 and 6/23.