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Behind the Screen - Tut's

GENERAL ADMISSION

You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.

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Easel Engine

This series of video works span a multi-generational evolution of digital graphics, from early 1-bit constraints to complex three-dimensional models.

Detail of a 3-D digital scultpure presented on a transparent screen. A figure that is bending over with arms lowered towards their feet tilts their head toward the view.

Echo: Core

In the ancient Greek myth of Echo, the cursed nymph is condemned to only repeat the words of others. Auriea Harvey reimagines the story in the monumental sculpture Echo (2024).

Two teenagers, one with short hair and medium brown skin and one with long hair and pale skin and red long hair, sit on a couch with a purple TV glow cast on them and a green light background.
I Saw the TV Glow

I Saw the TV Glow

Jane Schoenbrun’s follow-up to the visionary We’re All Going to the World’s Fair ups the ante on suburban angst, creating an eerily beautiful metaphorical evocation of the trans experience and the ways in which popular culture and media both comfort and betray us. Screening 6/21–6/30.

A colorful image of three teenage girls holding 1990s-style cellular phones; the blonde in the middle looks at camera with a clueless expression. One girl on either side of her talks on her own phone.
Clueless

Clueless

The sleeper smash of summer 1995, set in a fashion-forward Beverly Hills high school, transcended its satirical take on SoCal privilege to become an iconic, ironic lexicon for nineties teen living.

A group of students wearing light blue head gear and t-shirts hold up signs at what appears to be a protest

Admissions Granted

On Friday, 6/28, see a special preview screening of this new documentary, an honest and thoughtful look at the complexity of the affirmative action debate, the divisions within the Asian American community, and our nation’s increasing polarization on matters of race, equity, and inclusion. Followed by co-director Miao Wang in conversation with Special Counsel Thomas Lee.

Two men mock fight in front of a grand piano at a party while a man with a painted-on mustache eggs them on and a woman in an evening gown and long pearl necklace watches from the sides.

Marx Brothers Double Feature

See two classic films starring the Marx Brothers—The Cocoanuts and Animal Crackers—filmed in Queens at the legendary Paramount Astoria studios between 1929 and 1930. Marx Brothers historian, podcaster, and author Noah Diamond and Marx fan and Muppet historian Craig Shemin will introduce the films.

A young man of medium brown skin wearing an athletic tank top with the word CHARGERS on it sits in a locker room and looks pensively.
Hoop Dreams

Hoop Dreams

Called “the great American documentary” by Roger Ebert, and routinely listed among the all-time best films, Hoop Dreams is an intimate epic that follows two talented young men over six life-shaping years.

A fanciful image of a mushroom with a red, white-spotted cap and a human face looks up from the ground.

The Microcosmos of Fungi

This program of short films employs a range of cinematic techniques to reveal the surprisingly animate world beneath our feet. With filmmaker Maya Han and New York Mycological Society president Sigrid Jakob in person!

Two women smile take a polaroid of themselves, both wearing makeup, the one on the left in sunglasses and kerchief.
Thelma & Louise

Thelma & Louise

Thelma & Louise has become a catchphrase unto itself, yet the film remains as radical, full-throated, and unusually bold as ever, right through to its daring final moments. Screening 6/29 and 7/5.

Two teenagers, one with short hair and medium brown skin and one with long hair and pale skin and red long hair, sit on a couch with a purple TV glow cast on them and a green light background.
I Saw the TV Glow

I Saw the TV Glow

Jane Schoenbrun’s follow-up to the visionary We’re All Going to the World’s Fair ups the ante on suburban angst, creating an eerily beautiful metaphorical evocation of the trans experience and the ways in which popular culture and media both comfort and betray us. Screening 6/21–6/30.