You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
Jane Schoenbrun’s follow-up to the visionary We’re All Going to the World’s Fair ups the ante on suburban angst, creating an eerily beautiful metaphorical evocation of the trans experience and the ways in which popular culture and media both comfort and betray us. Screening 6/21–6/30.
Acclaimed Mexican writer-filmmaker Manolo Caro's adaptation of the acclaimed debut novel by Mexican author Juan Pablo Villalobos follows a criminal who indulges his son's every whim. Followed by Q&A with director Manolo Caro and screenwriter Nicolás Giacobone.
Everything is a dance performance installation evoking the ever-expanding universe, transforming the performance space into a constellation of stars and human bodies in various states of formation and explosion.
For his grimly gorgeous hybrid debut, a vampire movie about a dystopian city where ghosts coexist with the living, director Theo Montoya cast comrades from Medellín’s queer scene. Screening 6/23.
Mireia Sallarès's multifaceted, experimental, and speculative portrait of Francesc Tosquelles, the politicized psychiatrist who worked with the precarious and unexpected, using film and the arts in his practice. With Sallarès and AFAM exhibition co-curator Joana Masó in person.
On 6/27, MoMI welcomes back John DeMarsico, New York Mets Game Director for nightly SNY broadcasts, for a brand-new, big-screen, can't-miss showcase of his cinematic inspirations.
MoMI opens its doors for a series of free events that bring into conversation mycologists, biologists, and ecologists alongside artists and filmmakers, exploring how the tools of science and cinema can reveal more of our urban landscape than is visible to the naked eye.
This series of video works span a multi-generational evolution of digital graphics, from early 1-bit constraints to complex three-dimensional models.
In the ancient Greek myth of Echo, the cursed nymph is condemned to only repeat the words of others. Auriea Harvey reimagines the story in the monumental sculpture Echo (2024).
Jane Schoenbrun’s follow-up to the visionary We’re All Going to the World’s Fair ups the ante on suburban angst, creating an eerily beautiful metaphorical evocation of the trans experience and the ways in which popular culture and media both comfort and betray us. Screening 6/21–6/30.
