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Behind the Screen - Tut's

GENERAL ADMISSION

You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.

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A dark figure with glowing red eyes stalks a room at night, where a Virgin Mary statue sits in the corner holding a rose.

Anhell69

For his grimly gorgeous hybrid debut, a vampire movie about a dystopian city where ghosts coexist with the living, director Theo Montoya cast comrades from Medellín’s queer scene. Screening 6/23.

A vast mountainous landscape, with people in the foreground standing amidst green trees and bushes.

The Potential History of Francesc Tosquelles, Catalonia and Fear

Mireia Sallarès's multifaceted, experimental, and speculative portrait of Francesc Tosquelles, the politicized psychiatrist who worked with the precarious and unexpected, using film and the arts in his practice. With Sallarès and AFAM exhibition co-curator Joana Masó in person.

A closeup of a man with a scarred face wrapped in bandages and wearing a black fedora
Darkman

Darkman

Universal enlisted Sam Raimi, known primarily for his delightfully impious Evil Dead films, for their own version of a comic book superhero movie. The result is among the wildest, most stylistically untamed popcorn movies of its era. Screening 6/22 and 6/23.

Extreme close-ups of brown mushrooms

More than Meets the Eye

MoMI opens its doors for a series of free events that bring into conversation mycologists, biologists, and ecologists alongside artists and filmmakers, exploring how the tools of science and cinema can reveal more of our urban landscape than is visible to the naked eye.  

Easel Engine

This series of video works span a multi-generational evolution of digital graphics, from early 1-bit constraints to complex three-dimensional models.

Detail of a 3-D digital scultpure presented on a transparent screen. A figure that is bending over with arms lowered towards their feet tilts their head toward the view.

Echo: Core

In the ancient Greek myth of Echo, the cursed nymph is condemned to only repeat the words of others. Auriea Harvey reimagines the story in the monumental sculpture Echo (2024).

Two teenagers, one with short hair and medium brown skin and one with long hair and pale skin and red long hair, sit on a couch with a purple TV glow cast on them and a green light background.
I Saw the TV Glow

I Saw the TV Glow

Jane Schoenbrun’s follow-up to the visionary We’re All Going to the World’s Fair ups the ante on suburban angst, creating an eerily beautiful metaphorical evocation of the trans experience and the ways in which popular culture and media both comfort and betray us. Screening 6/21–6/30.

A colorful image of three teenage girls holding 1990s-style cellular phones; the blonde in the middle looks at camera with a clueless expression. One girl on either side of her talks on her own phone.
Clueless

Clueless

The sleeper smash of summer 1995, set in a fashion-forward Beverly Hills high school, transcended its satirical take on SoCal privilege to become an iconic, ironic lexicon for nineties teen living.

A group of students wearing light blue head gear and t-shirts hold up signs at what appears to be a protest

Admissions Granted

On Friday, 6/28, see a special preview screening of this new documentary, an honest and thoughtful look at the complexity of the affirmative action debate, the divisions within the Asian American community, and our nation’s increasing polarization on matters of race, equity, and inclusion. Followed by co-director Miao Wang in conversation with Special Counsel Thomas Lee.