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Behind the Screen - Tut's

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A brown-skinned woman in dreadlocks kisses the forehead of a light-skinned man with a bloody forehead as they crouch against a white wall
Strange Days

Strange Days

Kathryn Bigelow’s grandest cinematic vision is an anxiety-filled drama of near-apocalypse set in Los Angeles at the turn of the 21st century.

Two blindfolded people stand in wooden stocks around their necks

Shadows of Forgotten Ancestors

Inspired by Tarkovsky, Kalatozov, and Urusevsky, as well as Ukrainian Hutsul folk culture, this treasured cornerstone of independent Ukrainian cinema marked a shift in the development of Ukrainian culture in the second half of the 20th century.

Two bearded, hatted men, one with a gray beard the other with a brown beard stand together looking at us; the younger one in the back holds an open umbrella.

Parajanov: The Last Spring

Filmed in war-torn, blockaded Armenia and edited by candlelight, the film is a wordless montage vividly expressing Minas and Vartanov’s friendship while Parajanov was imprisoned by the Soviets.

A man wearing a t-shirt and jacket and khakis runs from a blazing explosion in the background
Speed

Speed

A thrill from its nail-biter elevator opening to its final subway chase, Speed is a model of ruthless efficiency. 

A person with long dark hair and dressed in colorful patterns and a middle-eastern style hat stands in front of a curtain draped outdoors on a door opening, looks ahead with a serious expression while holding up a red glass bottle full of flowers

The Legend of Suram Fortress  

Inspired by an ancient folk tale, this film is brought to life through Parajanov’s honed idiosyncratic style of opulent costuming, striking tableaux, and unforgettable mise-en-scène.

A light skinned sultan in ornate clothes sits on a throne flanked by two darked skinned men standing next to the chair.

Ashik Kerib 

Dedicated to Andrei Tarkovsky, Parajanov’s hypnotic and wondrous Ashik Kerib is his last completed film.

A brown-skinned woman in dreadlocks kisses the forehead of a light-skinned man with a bloody forehead as they crouch against a white wall
Strange Days

Strange Days

Kathryn Bigelow’s grandest cinematic vision is an anxiety-filled drama of near-apocalypse set in Los Angeles at the turn of the 21st century.

A man in a yellow polo shirt stands next to a teenage boy in graduation gown, holding a painting of an African king and queen
Menace II Society

Menace II Society

The first film from the Hughes Brothers was a sensation at the 1993 Cannes Film Festival and remains an uncompromising and revelatory touchstone of 1990s American independent cinema. 

A woman in a black Louise Brooks bob smoking a cigarette and lying down looks at us.
Pulp Fiction

Pulp Fiction

The definitive film of its era, earning Quentin Tarantino a screenplay Oscar and igniting a career that remains essential to the landscape of American auteur cinema, screens on 35mm 7/12 and 7/14.

A close up of a dark haired child looking up from behind a blue veil

Ma vie en rose

Ludo, a trans child, explores their gender identity and faces harsh transphobic fallout in this beautiful film. Introduced by critic/author Caden Mark Gardner; followed by book-signing on 7/13.