You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
Working from thousands of hours of footage catalogued in the vaults of Sweden’s national television service, archival chronicler Göran Hugo Olsson unspools a rigorously cool and steely account of the Israeli Palestinian conflict. Director Olsson in person on 3/13.
Yoko Yamanaka’s second feature follows mercurial 21-year-old Kana, who vacillates among suitors, priorities, and moods.
Day three of work-in-progress presentations and discussions and live performances.
Dominique Cabrera discovers that Chris Marker’s 1962 sci-fi film La Jetée, made the same year that Algeria gained independence from French colonial rule, might also be an inadvertent historical document of her own family. Screens 3/14.
For the eighth consecutive year, First Look presents Jury award–winning graduate and undergraduate student films from the Jonathan B. Murray Center.
On a Friday morning in 1992, eleven-year-old Lana (Ilincic) receives a phone call about a death in the family, a life-changing event in sync with the fracturing of Yugoslavian history and identity. Director Iva Radivojevic in person!
Shot on high-contrast black-and-white 16mm film and Super 16, this incandescent work weaves a rough, hallucinatory patchwork of encounters with women, old and young, solitary and collective. Director Brigid McCaffrey will appear in person.
Free Access Mornings at MoMI are dedicated to families with children on the autism spectrum and give families an exclusive opportunity to explore exhibitions and participate in workshops that begin at 11:00 a.m. before public hours begin.
A brooding young man (Bulgarian rapper Fyre) returns to his village in rural Bulgaria to clean out his late father’s flat. As he reconnects with old friends and relatives, he hears tales of his father, but he cannot square these stories of a fiercely protective, deeply loving man with the remote patriarch of his childhood.
Mixed media artist Zhou constructs mutating digital landscapes that confound classical notions of scale, composition, and visual realism. His latest sets us adrift in the desolate expanse of the Gobi Desert, where an amorphous infrastructure project of massive proportions is underway.
Displaying remarkable formal sophistication with a dazzling composite of film stocks, formats, and digital VFX, visual artist Deniz Eroglu’s provocative, surreal narrative triad screens at First Look on 3/15.
Moldovan journalist Lina receives a video message from her estranged father, a migrant worker in Italy, seeking help from his abusive employer. Equipping him with a hidden camera, Lina finds herself on a parallel journey of justice—uncovering a pattern of domestic violence that has plagued her family for generations.